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NEW ARTICLE | ‘Dio$ No$ Libre Del Dinero’. An essay on the crossovers between the post-feminist rhetorics and the (post)cultural industries in the work of Rosalía

   November 4, 2021  Leave a Comment on NEW ARTICLE | ‘Dio$ No$ Libre Del Dinero’. An essay on the crossovers between the post-feminist rhetorics and the (post)cultural industries in the work of Rosalía

Authors: Paula Guerra and Priscila Alvarez-Cueva

The ultimate aim of this article is to discuss and perspective the ways in which Rosalía, as an artist, triggers an expanded set of post-feminist narratives, not only in her lyrics, but also in her video clips in this context of late modernity. Thus, maintaining the principle that post-feminist rhetoric is comprehensive and multifaceted, four songs have been analysed: “Malamente” (2018), “Yo x Ti, Tu x Mi” (2019), “Aute Cuture” (2019) and “Juror Que” (2020). In this way, we intended to assess the duality(ies) that guide Rosalía’s artistic discourse, thus meeting a dialogic between the (post)cultural industries and the sociological discourse about the objects, narratives and creative imagery emerging from them.

Available here: https://revistas.rcaap.pt/cct/article/view/23453

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